Deuteronomy 30

This piece from the composer's Three Songs for Remembrance Day is interesting and colorful.  There is divisi in all parts. The rhythmic energy of the accompanimental sections is engaging and

This setting of John 3:16 is set for two treble instruments and SATB chorus. The choral parts are well-crafted and ranges are reasonable.  The fresh take on a familiar text makes this piece a great

Comprises three contrasting a cappella pieces for full choir with flowing melodic lines supported by contemporary harmonies: O Magnum Mysterium, Stabat Mater Speciosa, and Hodie Christus Natus

Comprises three contrasting a cappella pieces for full choir with flowing melodic lines supported by contemporary harmonies: O Magnum Mysterium, Stabat Mater Speciosa, and Hodie Christus Natus

Comprises three contrasting a cappella pieces for full choir with flowing melodic lines supported by contemporary harmonies: O Magnum Mysterium, Stabat Mater Speciosa, and Hodie Christus Natus

Edgar Allan Poe's chilling text is painted in this exciting original setting for mixed chorus and piano. The opening piano motif sets the eerie tone, and the choral lines whirl with "ooos and "aaahs" that

This setting of Psalm 136 is set for piano and SATB voices.  The piano part is supportive and engaging.  The vocal parts have some leaps, but are overall accessible.  The colors the composer

With auxiliary percussion, timpani, and piano.

This a cappella setting of the Lord's Prayer is colorful and word focused. Added dynamics help to distinguish each section of the piece. The tenor part is written in the bass clef. A great piece for all

This a cappella setting of Psalm 42 is simple yet effective. There is some mixed meter used to fit the text, voice leading is accessible, and ranges are reasonable. A nice addition the the Lenten

This piece is a powerful and disturbing commentary on war. The words of this moving piece were written by an unknown soldier.  Full of challenging rhythms, melodies and harmonies, this piece has great

Shallow Arms is a cappella, using two voices (choirs): the sopranos and altos represent one voice and the tenors and basses represent the other. Each time one voice encounters the other, there is

An Angel Embraced Me is introduced by the piano, set not as an accompaniment but as an equal voice to that of the choir. The encounter in this poem is between a human and an angel: a juxtaposition